The international electro- symphonic project Symphoniacs can not be squeezed into genre drawers. It brings together in its futuristic Classical-meets-club mix, which does not really belong together at first glance. Mastermind Andy Leomar unites classical music with electronic sounds in an unprecedented way and brings to the stage the creme de la creme of the youngest promising classical soloists.
Unter dem Namen Symphoniacs erscheint nun das gleichnamige Album zum Projekt, das neben drei neu interpretierten klassischen Stücken acht große Hits der vergangenen Monate in neuem Gewand enthält.
Native son Colin Stokes will return to Gettysburg when he performs the Elgar Cello Concerto with the Gettysburg Chamber Orchestra (GCO) on Sunday, Sept. 11, at 4 p.m. in the chapel of the Gettysburg Seminary.
Die Symphoniacs gehen ab Ende April 2017 auf große Tour durch Deutschland, Österreich und die Schweiz.
Berlin is a city of contrasts. Cultures, people and ideas all jostle for space, rub up against each other, and occasionally clash. It’s an atmosphere that allows experimentation and creativity to bloom, for new concepts to be born.
The internationally based electro-classical project SYMPHONIACS refuses to be categorized; an ever-changing pool of musicians combine futuristic classical music with club music. Their debut album is now out.
The entire work was a seamless, expressive response. It was, undoubtedly, a thorough fusion of art forms and a compelling initial presentation.
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“This is one of the most inspiring processes I’ve ever been involved in,” Stokes said. “Everyone came at it very humbly and very open to all ideas. It was a true collaboration. There was no one director.”
(Radio Interviews) Colin Stokes. How do I even start to tell you who Colin Stokes is? There are so many layers to this man, and I feel like I have scratched the surface, possibly seen through a crack of his carefully-constructed deliberateness.
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“The long-term goal is to tour this project all over the country for the next two years,” Stokes said”